GYAN MANDIR

According to Jain philosophy, the soul is the Supreme Soul. Soul is the body of infinite powers. in some soul Self-powers are fully manifested, whereas in others they are less. As

  • Reduce the intensity of black darkness by dimming the sunlight
  • Gives. In the same way, reduce the density of karmavaran.
influences the powers. as the clouds recede Sunlight becomes rare and glory starts increasing. When the clouds are completely destroyed, the light of the sun and Pratap is completely revealed.

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CHANDRA PRABHU

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According to Jainism, the nature of the soul Impulse-emotions and the tendencies of mind, speech and body Because of this, his inner feelings used to fluctuate. lives. Which are told by the properties. Gunasthan is the scale to measure the feelings of the living being. This fluctuations in the intimate consequences of the soul Makes you understand.

Gradual stages of development of self-powers in Jain Darshana beautifully explained by the fourteen Gunasthans Has been done “Gunasthan” is a special feature of Jainism. is a defining word.

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Carving of Jinalaya

The work done in Gunayatan Jinashala (Museum of Idols) has been carried out according to the Jain scriptures, and each figure holds some significance. The symbols depicted have profound meanings. All the activities are performed under the guidance of the revered Guru, directed by the sculptors of the temple. They follow the instructions outlined in the descriptions of Jain temples as mentioned in the scriptures. For instance, on the ground floor of the Jinashala, there is a wall of the temple known as "Mandovar." In the first row, an elephant, symbolizing power, is depicted. Above the elephant, in the joyful expression of Indra and Indrani, they are shown moving towards the direction of the Jinashala.

Vagla

Between each pair of two Indras, the symbol of "Vagla" is depicted. Vagla prevents negative energy from entering the Jinashala. Based on the pillars, the ground floor of this Jinashala has been constructed with 64 pillars, all adorned with different types of carvings. Among these, the main representation prominently displays the symbol of Vitragata in the form of a monk's posture.

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Pillars

On the Mandovar (an elevated platform), 6-6 windows have been constructed in each direction. There are a total of 24 windows in all four directions, which create an optical illusion of inner appearing as outer and outer appearing as inner. Inside the first floor of the main temple, 24 pillars have also been erected. These pillars are adorned with different carvings and symbols, such as Indra-Indrani, auspicious kalash, etc. The construction of the main roof has also been completed. These roofs showcase a unique and exquisite form of carvings.

Gandhakuti

In the center of the first floor of the Jinashala, above the main pillar located in the middle of the ground floor, the construction of the Gandhakuti (fragrant chamber) will take place. Within the Gandhakuti, there will be four images of Lord's idol seated in the Padmasana posture. This setup will symbolize our presence in the Samavasaran and our direct experience of the divine sound of Lord's teachings. In the artistic representation of the main roof where Lord's idol will be situated, the entire spectrum of human virtues is depicted.

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Blessings of Acharya Shree 108 Vidyasagar Ji Maharaj And Param Pujya Munishree 108 Pramansagarji Maharaj under construction by auspicious inspiration

Some important information related to Gunayatan Jinalaya :-

  • Temple Perimeter: Length x Breadth = 144X139 feet Height = 108 feet

  • Stone Type : Pink Sand Stone, Bansi Paharpur (Raj.)

  • Stone Quantity: Approx 2.3 Lakh Cubic Feet
  • Craft Style: Panchayatan.

  • Architect: Mr. Chandrashekhar Jain, Vidisha

  • Age: 1500 years probable.

  • Other Features: Earthquake Resistant Design, All Stone Manufactured - no use of iron etc.